Vampires bad, therapists good
Bloody disappointing Giving up on a TV series, especially one which has been praised to the skies and you feel you ought to like, is a strange business. True Blood has pulled in HBO's highest viewing figures since The Sopranos in the States, and being an Alan Ball creation it has an impressive pedigree. True, I never thought Six Feet Under to be quite the masterpiece that some reckoned (the stunning final sequence aside), and although American Beauty is a tremendous film, there was a story in Word magazine a while back that director Sam Mendes actually rewrote the ending because Ball's original script climaxed far less satisfactorily. But still, a Ball-produced, postmodern, Southern Gothic vampire melodrama - how could I possibly not like it? Quite easily, as it turned out. Firstly, I don't find vampires inherently interesting. Although True Blood 's central conceit - vampires co-existing with humans in modern-day America and living on artificial blood - is a good o...